General bibliography

 Acknowledgements

  Special  to each artist participant for providing to both Abdel and Surpic the works and exhibits, To Surpic Angelini and Paolo Angelini, to Tahia Rivero o and Vazco Zinetar, and special thanks of both curators Abdel and Surpic Angelini to the Eurobuilding Hotel Marcos and Zare Zarikian for their infrastructure facilities of space. To Naviera Pacifico de Venezuela for helping us with the transportation of the exhibits, to Elaiza Irrizary for her generous support at sello foundation to the production of my individual exhibit the market from here with Fernando calzadilla, and to Domingo de Lucia for his contribution from artquimia foundation of atenea in Valencia. To Key Burnet for her support with transportation during the montage process at Rice. 

  To bert long at the sculpture court back yard for his help from the sculpture room of the faculty of art and art history for the facilities to exhibit the market at the back yard, to the persons Stephen Fox and Richard Ingelson at the school of architecture who helped with getting the Farish gallery. My special personal thanks to Stephen A Tyler by his personal and individualized support in all the process before, during and after the spring but also during my time as complimentary research asociarte anthropology faculta at rice University betwen juñe 1997 june 2003 in houston

  To the persons at the rice media center who helped to obtain the gallery space and exhibiting space. 

  To the Houstonian people in the city of Houston who helped we both with the releases we did and circulated to each exhibit opening as well as to those who respectfully and generously published such as Patricia Johnson, Houston chronicle, Donald Caledare, artlies, the Houston press and to the united states embassy in Venezuela for the facilities to my travel, Surpic travel and the artists. To Tina melo during the creation and foundation of transart foundation, to Terrell James in the city of Houston and to Cristiana Jadick, Mike Jadick, Mike jadick, Diana and Carlos Gland and her family.

  This letlee serie of exhibits was made at rice university during the spring of 1997 by Abdel Hernandez San Juan and Surpic Angelini through a letlee private nonprofit foundation we both created to make it possible, transart foundation and as explained before was fully payed with the private money of each one of both to the art event we made with the nonprofit facilitator, including both the production in Caracas, the montage at the exhibit spaces, the releases and the openings 

General Bibliography

Barthes, Roland The Responsibility of Forms, Essays on Music, Art and Representation, The University of California Press

Eco umberto, la estructura ausente, lumen

Eugenio quetzil Castañeda, https://www.academia.edu/81422165/The_Invisible_Theatre_of_Ethnography_Performative_Principles_of_Fieldwork

Hernandez San Juan Abdel, 1996- The posmodern work: Beyond the Intertextual. By Abdel Hernandez San Juan, Conference Lectured at the Fondren Library Lectures Auditorium as a guest of the faculty of classical and Hispanic studies in his area of research of semiotic, theory of art, anthropology, curator at the alejandro otero museum of visual art, coordinated by Surpic Angelini and Hector Urrutibeity, translated by Graciela daichman, 45 minutos version of a paper The posmodern work. By Abdel Hernandez San Juan, translated by Gabriel, translations coordinated by surpik angelini and transart Foundation, Rice University, Houston, Texas, USA

Hernandez San Juan Abdel, 1998- Cultural Bodies. By Abdel Hernandez San Juan, published catalogue, english, translated by Cristina jadick, Sicardi Gallery, Houston, Texas, USA

Hernandez San Juan Abdel, 1998- Bodies Echoes. By Abdel Hernandez San Juan, published catalogue, Sicardi Gallery, english, translated by Lourdes, Houston, Texas, USA

Hernandez San Juan Abdel, 1998- Anglo-Saxon conceptualism. By Abdel Hernandez San Juan, lecture discussed at the glassel Schóol of art, cátedra of paintings, coordinated by terrell James, english by Abdel Hernandez San Juan, The Museum of fine art of Houston, Houston, Texas, usa

 1999- Art Pizte Exhibit: A Perspective from art critique. By Abdel Hernandez San Juan, conference lectured in person at the Faculty of sociology and anthropology lectures auditorium on the museographizing of the exhibit of Quetzil Eugenio anthropology, five Maya artists and Quetzil collection of Maya art, a curatorial museography by quetzil Eugenio at Duran Gallery, with the participation in conceptualizing  and spatializing the mise in scene museography by Abdel hernandez San Juan and Lisa Breglia, a travel from Houston to lake forest  discussed as part in a panel Maya art and anthropology (anounced conferences by Abdel Hernandez San Juan, Alaka Wally, Stephen Eisenman, Richard Towsend, Quetzil Eugenio and Lisa Breglia, Lake Forest College Faculty of Sociology and Anthropology, included a workshop, tape recorded and film recorded Lake Forest college, coordinated by Quetzil Eugenio castañeda, 1999 Organizer and Chair. Forum on Maya Art and Anthropology. Panelists: Alaka Alí, (Anthropologist, Field Museum of Natural History),  Abdel Hernández (Artistic Director, Transart Foundation), and Maya Artists: José Kituc, Gilberto Yam Tun, Jorge Pool Cauich, Wilberth Serrano, Juan Gutiérrez. Durand Art Institute, Dec. 2, tape recorded, translated by quetzil Eugenio castañeda, assistance profesor of anthropology, faculty of sociólogy and anthropology, with college and high school students, Lake Forest, Illinois, usa, 1999

Hernandez San Juan Abdel, 1999- Bodies Maps. By Abdel Hernandez San Juan, published catalogue, english, translated by Lourdes, Sicardi Gallery, Houston, Texas, USA

Hernandez San Juan Abdel, 2000- Alchemies of the Senses. By Abdel Hernandez San Juan, english, translated by Lourdes, Sicardi Gallery, Houston, Texas, USA

Hernandez San Juan Abdel, 2002- The paintings of terrell James. By Abdel Hernandez San Juan, translated by surpik Angelini, Houston, Texas

Hernandez San Juan Abdel, 2002- Relations and Differences between the Arts: A Matter of the History of Conscience. By Abdel Hernandez San Juan, lecture discussed at the panel of Los Angeles Art Festival, The Japanize House of Culture, lectures by Abdel Hernandez San Juan, surpik angelini, villegas and others, spanish, Dic, Los Angeles, California, USA

Mc evilley thomas  artists in trance: various artists, art in america, new york, 1998

Mc evilley thomas, lecture to the film on the exhibits on campus, march, rice media center, rice university, houston, texas, 1997 

Todorov Tzvetan, Symbolism and Interpretation, Cornell University Press, Feb 18, 1986

Todorov Tzvetan , Genres in Discourse, Cambridge University Press, Published August 31st 1990 by (first published 1978) 

Todorov Tzvetan, Simbolismo e interpretación Todorov, monte avila editores

Todorov Tzvetan. "Los géneros del discurso" (Waldhuter editores, 2012) 

Todorov Tzvetan. Teorías del símbolo, monteavila editores

Todorov.Tzvetan Géneros del Discurso, Gedisa

Todorov Tzvetan. Critica de la Crítica, Editorial Paidós

Tyler Stephen A, context of discourse, semantique analysis, A POINT OF ORDER, Pp 133-135, Rice University studies, 1973-1974, USA

Tyler Stephen, presenter, (dís), plays published at le sprit creator magazine